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Last summer my little family travelled to Washington DC. DC is one of my ultimate favorite places to be. I can’t support that statement with less than five additional paragraphs of rapturous praise, so I have to let it sit there, alone and mysterious. Except, if you are planning a trip, might I suggest The Hotel Tabard Inn? And Dupont Circle? And Kramerbooks & Afterwards? And Julia’s Empanadas? And The National Geographic Museum? And if you only have one afternoon, please, please, PLEASE go to the National Gallery of Art.
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It was at the National Gallery of Art that I collected one of my most treasured moments in DC. My mom and I only had a couple hours to tour the Smithsonian’s collection of art; our strategy was to remain focused and cover as much ground as possible. We worked our way through the west wing of the museum, giving a moment or two to most of the paintings. We were in the middle of a vast collection of early church history paintings, and while some were really [fill in the blank with your favorite adjective because there were paintings for every description], I found myself mostly disconnected from the work. I would describe myself as someone deeply grateful for and interested in church history, but with my protestant understanding, a lot of the Catholic influence in the paintings was lost on me. So I was simply enjoying the exposure, soaking up the experience of just being surrounded by old art.
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It was when I came to Andrea Solario’s Lamentations that my experience transformed into something deeply personal and moving. Solario’s painting is, as I recall, almost life-size. The painting, like loads of others titled Lamentations, is of the moment when Jesus has been removed from the cross. Mary is cradling his body and they are surrounded by others grieving Jesus’s death. I was standing right level with this scene of mourning and I was able to study each sorrowful face. Each person surrounding Jesus was looking down at Him and I was astounded by how life-like the tears were on each face. As I moved from face to face I finally caught the eye of the person standing just behind Mary and Jesus. That man was looking right at me. He really was. Instantly, instead of being just a casual observer to this scene, trying to appreciate the technical skill and eye of the artist, I was pulled into this heart-wrenching scene. I was there, filling that space in front of Jesus. No longer was I just standing in a museum, I was one of the souls gripped by the knowledge that Jesus was dead. My Hope had died on a cross. Death had claimed Him, too. He had been the only One who had ever brought people back from the grave, but he will now be in a grave. He was innocent. I am guilty. Where is God? Oh! My soul! Here are my tears, too.
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I totally cried. Right there- huge self-conscious tears. I tried to clean myself up before stepping away from that moment and finding where my mom had wandered off to, but my soul has been forever imprinted by that moment. Even though I know God did not leave us to despair His death; that Jesus did not stay in the grave, that moment is now part of the grief and hope of my faith. That moment is now part of my worship and celebration. My Easters are forever changed by that moment. That was a moment I collected, Frederick-like.
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Though it is spring outside my house, and life is beginning to bud again in that spectacular shade of green that I like best, I am still in the winter of a rural life. I love living in Alaska. I love my community and I love the gorgeous setting that holds my days. It’s just that, in addition to vitamin D, I am little deficient in art, history, culture and diversity here. I love being on old streets, surrounded by old buildings all with old stories to tell, meanwhile art and diversity overwhelming my senses. It’s a sad fact of life that if a building is old in Alaska, it is only 50 to 100 years old and a sketchy dump, and chances are that said dump is housing a meth lab or a budding Unabomber. As for art and diversity, apparently Kansas came to the Alaska State Fair a couple summers ago. It helps a little that we are members of the Anchorage Museum of Art, and we do try to catch events at the Performing Arts Center, but there is so much I hope to see outside of Alaska. I have wanderlust and a mileage plan that comes with companion tickets, so every once in a while we can get out of Alaska to “store up” more experiences. When I am feeling hungry for things I can’t see or experience here in Alaska, and there are no plans for getting out, I feast on the memories I’ve collected. Like Frederick and his family. It’s almost enough to survive the Alaska State Fair line-up.



